Today I took my very last final of the semester, and it was for my Eminent Authors class on John Steinbeck. The final was super easy: write a letter to John Steinbeck. As easy as that. We gathered around a fake campfire in the middle of our classroom, ate lots of food and read aloud our letters to the author we've been studying all semester long. It was a fun final "exam" and everybody loved my letter, including my professor who felt the need to shake my hand! Ha ha... Anyway, I thought I'd post it here. Enjoy.
Dear John Steinbeck,
Although you are dead, I imagine you on some shore somewhere near
your beloved Salinas, sand between your toes, pencil in hand as you scribble
ferociously on your yellow pad, ideas washing over you like ocean water. Perhaps it’s night, and you’re writing by the
light of a bonfire. Charley’s head is in
your lap and you pause from your writing to take a swig of beer and stare
deeply into the fire’s orange wonder.
Your novels live on, John, and they light a fire in all of us. The world changed as you pressed pencil to
paper, leaving graphite lines that formed letters that formed words that formed
stories that have called out for social equality, shed light on our own human
folly, liberated us from our humdrum existence and let us know that there is
nothing more remarkable than that “glittering instrument, the human soul.”
God, what I would give to have known you. To meet you, just once. To shake your hand and pick your brain and
see the world as you see it out of those ever-searching deep blue eyes—eyes
that captured America during the gritty horrors of the Dust Bowl, led a
rebellion during World War II and pondered on all the confusing politics of
Vietnam. You, who lived in California
and New York, Mexico and France, a man who was always seeking out some new
frontier; some new experience; some newer, higher, better plane of thinking and
being and loving and learning. You, who
counseled presidents and befriended marine biologists. You, who knew the plight of the downtrodden
as if their story was your own. What
would I ask you, John Steinbeck, if I could?
I’d ask you why on earth you gave a shit about those critics that
couldn’t bear to admit that you had grasped onto something that they never even
knew to reach for—why? Why, John? Weren’t you confident in your writing? Weren’t you confident in your ability to
carve a character out of nothing but typewriter ink and a sheet of blank
paper? To breathe life into them like a
God and then watch as they struggle to make tough decisions? Do you see it now, John? Your success as a writer? Is it finally made apparent? Do you feel worthy of your accolades? Your praise?
Your Nobel Prize? Do you see us
here, now, reading your books, taking college courses all about you, studying
your life and your essays and your novels like hungry children shoving sweet
cake down our greedy, yearning throats?
Cal is full of good and bad, as are most of your characters. As are you.
And though there were bad reviews and negative criticisms, there were
good reviews too and the good will always outlive the bad. Good always does. Your talisman saves us, John, like it saved
Ethan Hawley. Your milk nurtures us,
like it did from Rose of Sharon. The
pearl is buried deep in the ocean, and though the baby is dead, we know that
life goes on—the Song of the Family keeps singing, louder and louder until it
crushes the scorpion. Why? Because of timshel. Because there’s something inside all of
us—that same noble stuff that the Joads had, and Lennie had, and the wise
Chinaman Lee had—that will not surrender.
We keep
moving on. “Man reaches, stumbles
forward, painfully, mistakenly sometimes,” but by God, he keeps on moving
forward. You are that man, John
Steinbeck. You were flawed—yes—but you
are good. And it’s that goodness in your
characters that you will always be remembered for. There’s darkness to humanity, that is true,
but you show it to us so that we might fight it off. You give us the dark, so that we might see
the light.
You call us back to our roots, you help us see that we are not so
different from our neighbor, you criticize a system that stomps on the little
guy, you fear a world with no nature, and you present those ideals to the world
to chew on and think over and embrace.
What was it like, John, to have such a great effect on America? How did you change the world with just a
pencil and pad of yellow paper? I hope
you can tell me someday. I’ll be reading
and I’ll be listening.
Sincerely,
A Fan
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